Mr Black-El Serrucho (Champeta al Maximo)

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VISITA NUESTRA WEB: SIGUE A CHAMPETA AL MAXIMO EN FACEBOOK AQUI: Mr Black-El Serrucho (Champeta al Maximo) En los comentarios escribenos ¿Que tal te parece esta cancion? Champeta is the cultural phenomenon and musical genre of independent and local origin from the African descendents in the areas in and around Cartagena de Indias, (Colombia). It is also associated with the culture of Palenque of San Basilio. Etymology  The word 'Champeta' refers to the short, curved knife of the same name, used at work, in the kitchen and as a defensive and offensive weapon in the region. History  The word "Champeta" was first used as a cultural identifier in the 1920s, it was used to identify a dance in the 1970s and a musical genre in the 1980s. Since before the 1920s, the inhabitants of the neighborhoods farthest from the center of Cartagena, those of the poorest social strata and of African descent, have been called 'champetudo'. The economic elite used this designation as an attempt to devalue this vibrant culture. The name, ambiguously accepted and transformed, originates from the relationship of these people, with the knife called "champeta", as it was associated with vulgarity, poverty and blackness. This culture has a past historically marked with slavery and mistreatment with its center in the oldest districts of the Isla Caimán, currently called Olaya, and the Pozón district. At the beginning of the 1970s the Champeta culture became more visible at a national level in Colombia through a series of diverse and complex dances set to the rhythms of Caribbean music. This music was principally a mix of genres such as salsa and jíbaro but later included reggae. This music was played over large loudspeakers, popularly called "picós", that were invented during the 1960s in Cartegena. Equipped with these sound systems they held dancce competitions and other events. Those dances were called "therapy" because of their ability to help people relax and free themselves from the economic problems of the country. In the 1980s "creole therapy" became a new genre of music, sung and interpreted by people from Cartegena and San Basillo, later joined by people from Barranquilla, Santa Marta and the rest of the country. Baranquilla played an important role in the commercialization of this genre of music. Subsequently, the music became popular in picós. Soon, it was known as "creole therapy", "Colombian therapy", and finally, Champeta. Cultural Aspects and social Fact  The classic conception of the phenomenon champeta is centered in the existence of four aspects or "columns" of the culture: champeta music (or Therapy), the Benbocata (or slang), Picó (or pick-up), and the perreos (or celebrations). There are some who give the same importance to other aspects, as the dance, the political activism, the design of the clothes, and the rest of cultural elements. Champeta criolla musica de carnavales, El sayayin, mister black, mr black, el afinaito, charles king, papoman, lilibeth, el jhonky, Edwin el maestro, Kevin florez, silvio carrasquilla, eddy jey, tony cruz, chawala, Michel, la locura, yao y zaa, elio boom, alvaro el barbaro, champeta, terapia, pick up, perreo, vacile, Cartagena, fiestas de noviembre, fiestas de la independencia, cartagena, buscapies, fiestas de la independencia, irene martinez, son cartagena, la niña emilia, cunde cunde, ivan villazon, los hermanos zuleta, diomedes diaz, poncho zuleta, silvestre dangond, danny daniel, jerry rivera, el gran combo, wisin y yandel, don omar, justin biever, vallenato, merengue, champeta,salsa, balada, carrilera, reggaeton, grupo niche, cali, son de cali,jose alberto el canario, andy montañez, falcao garcia, cristiano ronaldo,lionel messi,El Sayayin-Anita la mas bella, terapia, champeta, criolla, juan manuel santos, hugo chavez, maduro, venezuela, alvaro uribe, corea del norte, estados unidos, lady gaga, champeta

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